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1. ADOBE PREMIERE 6.0 MAC FOR MAC
2. ADOBE PREMIERE 6.0 MAC DRIVERS
3. ADOBE PREMIERE 6.0 MAC DRIVER
4. ADOBE PREMIERE 6.0 MAC FULL
5. ADOBE PREMIERE 6.0 MAC SOFTWARE

ADOBE PREMIERE 6.0 MAC FOR MAC

We believe this upgrade is a must for anyone currently using Premiere and that there has never been a better version for users at any level to begin an editing relationship than with Adobe Premiere 6.0.Features of Adobe Premiere Pro CS6 for Mac

ADOBE PREMIERE 6.0 MAC FULL

Premiere 6.0 is packed full of many more features than we have the space to include. During playback we adjusted levels and saw the result on the timeline.

When we trimmed our footage and added filters and transitions, we found the much improved edit functions to be very intuitive and easy to learn since we were already familiar with Premiere.Īudio mixing with the automated Mix window was a timesaver and easy to get the hang of. Using the single track mode of the edit interface, we began laying shots in the timeline. Eventually, we received the captured list. Windows froze several times and when an action was taken, it took an uncomfortable moment or two to respond. When it did respond, Premiere 6.0 began to hang a bit in its response.

ADOBE PREMIERE 6.0 MAC DRIVER

The Hitachi took some fussing with in order to get the driver to see the camera. Then, after two or three attempts at establishing control in the settings, the JVC came alive and responded quite well in searching out its batch list. The JVC did not come online until we restarted, with the camera off, and relaunched Premiere 6.0. The driver quickly brought the camera online, and Premiere 6.0 swiftly acquired its shots. The Panasonic was by far the hardiest of the lot when it came to device communication performance. We used two Mini DVs (Panasonic AG-DV1000 and JVC DVL-9800) and a Digital8 (Hitachi VM864LA).

For DV device control testing we batch captured footage from three different cameras. We installed Premiere 6.0 in an HP Pavillion with a P4 1.5GHz and a built-in OHCI-compliant FireWire card. This is a real drawback when you need multiple versions of the same piece. Unlike After Effects and many other editors, however, Premiere 6.0 does not allow more than one sequence per project. Keyframes, filters and compositing tools on the video end have brought Premiere 6.0 a little closer to the shining star of its adopted COSA sibling, After Effects.Īs in After Effects, if you have a file from another Adobe program like Photoshop in your project, you can edit that document in the program in which it was created and the file will be updated automatically in the Premiere 6.0 project. Single track editing is a new and welcome addition to 6.0. Finally, there are onboard VU meters and channel faders that have automation capabilities. The biggest nod in the audio direction is the addition of a Mix window. This gives much more control over the mix while you are editing. You can now toggle between Pan and Volume graphs in the audio tracks. In 6.0, Adobe has come a long way toward addressing audio, always a weak point in the Premiere environs. It lists every camera that we had available to throw at it. Adobe overcame the challenge and beefed up Premiere 6.0’s DV camera support roster.

ADOBE PREMIERE 6.0 MAC SOFTWARE

Our hats are off to editing software engineers who provide machine control for multiple camera models from multiple manufacturers. The icons remain small in 6.0’s spruced-up timeline, but the new additions provide some nice surprises. The Project window logically organizes bins with a much needed folder system. Buttons at the top of the Monitor window make it easy to move from dual to single to trim modes. In the Windows menu, you can select preset workspace setups, depending on the task.

ADOBE PREMIERE 6.0 MAC DRIVERS

The list of video camera drivers supported within Premiere is very impressive, and will be more so if they all prove reliable.įeatures are by far the most relevant upgrade in 6.0.

The elegantly improved Adobe Premiere 6.0 rewards that steadfastness.Īt press time, digitizer/capture board manufacturers were just beginning to ship with Adobe Premiere 6.0, so the jury was still out on compatibility across that market. There is a comfort zone for Premiere users groomed by years of availability that has evolved into a loyalty to the product. In version 6.0, the wily veteran takes on the consumer DV world with wide range device support and editing tool upgrades. At present, there are many new slick-faced software youngsters out there mixing it up with the likes of the legendary Premiere. The fact is, for modest investors, it had been the only choice. Adobe Premiere has been the software of choice for many committed video editors, from the hobbyist to the budget-minded professional.